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Adobe After Effects CS5 is the industry standard for motion graphics and the guide titled “Overview of Adobe Premiere Pro CS5 workspace” before doing. online services*. Adobe After Effects CS5 software delivers the outstanding performance and visual richness After Effects CS5 includes Mocha for After Effects CS5 v2 with the Mocha Shape plug-in, Color .. PDF documents. • Conversion of. Video tutorial series: After Effects CS6: New features workshop . For a complete list of what's new and changed in Adobe After Effects CS, see this post on.

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Legal Copyright Mograph LLC. All Rights Reserved. No part of this work may be reproduced in whole or in part in any manner without the permission of the copyright owner. When tracking position, this mode creates one track point on the tracked layer and sets Position keyframes for the target. When tracking rotation, this mode creates two track points on the tracked layer and sets Rotation keyframes for the target. When tracking scale, this mode creates two track points and produces Scale keyframes for the target.

Parallel Corner Pin tracks skew and rotation, but not perspective; parallel lines remain parallel, and relative distances are preserved. This mode uses three track points in the Layer panel—and calculates the position of the fourth—and sets keyframes for four corner points in a Corner Pin effect property group, which is added to the target.

The four attach points mark the placement of the four corner points. Perspective Corner Pin tracks skew, rotation, and perspective changes in the tracked layer. This mode uses four track points in the Layer panel and sets keyframes for four corner points in a Corner Pin effect property group, which is added to the target.

Raw tracks position only. For example, you can copy and paste the keyframes for the Attach Point property to the Position property for a paint stroke; or, you can link effect properties for the Stereo Mixer effect to the x coordinate of the Attach Point property using expressions.

Tracking data is stored on the tracked layer. The Edit Target button and the Apply button are not available with this tracking option. You can add track points to a tracker by choosing New Track Point from the Tracker panel menu. Motion Target The layer or effect control point that the tracking data is applied to. After Effects adds properties and keyframes to the target to move or stabilize it. Change the target by clicking Edit Target. No target is associated with a tracker if Raw is selected for Track Type.

Analyze buttons Begins the frame-to-frame analysis of the track point in the source footage: Analyze 1 Frame Backward : Analyze the current frame by moving back to the previous frame. Analyze Backward : Analyze from the current-time indicator backward to the beginning of the trimmed layer duration. Analyze Forward : Analyze from the current-time indicator to the end of the trimmed layer duration.

Analyze 1 Frame Forward : Analyze the current frame by advancing to the next frame. Note: While analysis is in progress, the Analyze Backward and Analyze Forward buttons change to a Stop button, with which you can stop analysis when the track drifts or otherwise fails.

Reset Restores the feature region, search region, and attach point to their default positions and deletes the tracking data from the currently selected track.

Tracker control settings and keyframes already applied to the target layer remain unchanged. Apply Sends the tracking data in the form of keyframes to the target layer or effect control point. Motion tracking options These settings apply to a tracker, a group of track points that is generated in one tracking session.

You can modify these settings by clicking Options in the Tracker panel. Track Name The name for a tracker. Tracker Plug-in The plug-in used to perform motion tracking for this tracker. By default, this option displays Built-in, the only tracking plug-in included with After Effects. Channel The components of the image data to use for comparison when searching for a match for the feature region. Select RGB if the tracked feature is a distinct color. Select Luminance if the tracked feature has a different brightness than the surrounding image such as a burning candle carried through a room.

Select Saturation if the tracked feature has a high concentration of color, surrounded by variations of the same color such as a bright red scarf against a brick wall. Process Before Match Temporarily blurs or sharpens an image to improve tracking. Blur reduces noise in the footage. Usually a value of 2 to 3 pixels is enough to produce better tracks in grainy or noisy footage. Enhance exaggerates or refines the edges of an image and makes them easier to track.

Note: After Effects blurs or enhances the layer only for tracking. This blurring does not affect the motion source layer. Track Fields Temporarily doubles the frame rate of the composition and interpolates each field to a full frame to track motion in both fields of interlaced video. Subpixel Positioning When selected, keyframes are generated to a precision of a fraction of a pixel.


When deselected, the tracker rounds off values to the nearest pixel for generated keyframes. The image data that is searched for within the search region is the image data that was within the feature region in the previous frame, rather than the image data that was in the feature region at the beginning of analysis.

If Confidence Is Below Specifies the action to perform when the Confidence property value is below the percentage value that you specify. Note: To determine an acceptable confidence threshold, track the motion and then examine the Confidence values for the track point in the Timeline panel for problematic frames. Specify a confidence value that is slightly larger than the largest confidence value for the problematic frames.

Select Continue Tracking to ignore the Confidence value. This behavior is the default behavior. Select Stop Tracking to stop the motion tracking. Select Extrapolate Motion to estimate the position of the feature region. Select Adapt Feature to use the original tracked feature until the confidence level falls below the specified threshold. At that point, After Effects adapts the tracked feature to be the contents of the feature region in the frame preceding the one that has low confidence and continues tracking.

This command is available only if you choose to use the older After Effects tracker plug-in. Note: To show or hide motion paths in the Layer panel, select or deselect the Display Motion Paths option in the panel menu of the Tracker panel. The panel menu is the menu that you access by clicking the icon in the upper-right corner of a panel. You can also use commands in this menu to add a new track point, reveal the current track in the Timeline panel, and toggle whether the feature region magnification is enabled.

Each tracker contains track points, which are property groups that store the tracking data after tracking has been performed.

After Effects groups trackers in the Motion Trackers property group for each layer in the Timeline panel. You can rename trackers and track points and modify and animate their property values in the Timeline panel just as you do for other layer properties and property groups.

You must click Apply in the Tracker panel to apply the property changes to the target. Feature Center Position of the center of the feature region. Feature Size Width and height of the feature region. Search Offset Position of the center of the search region relative to the center of the feature region. Search Size Width and height of the search region.

Confidence Property through which After Effects reports the amount of certainty regarding the match made for each frame.

In general, Confidence is not a property that you modify. Attach Point Position assigned to the target layer or effect control point.

Attach Point Offset Position of the attach point relative to the center of the feature region. You can resize or move these items independently or in groups by dragging using the Selection tool. Track point components and Selection tool pointer icons A. Resizes region To turn on or off feature region magnification, choose Magnify Feature When Dragging from the Tracker panel menu. To move the feature region, search region, and attach point together, drag inside the track point area avoiding the region edges and the attach point , or press the Up, Down, Left, or Right Arrow key.

Hold Shift while pressing an arrow key to move by an increment 10 times as large. To move only the feature and search regions together, drag the edge of the feature region, or Alt-drag Windows or Option-drag Mac OS with the Selection tool inside the feature or search region.

To move only the search region, drag the edge of the search region. Note: Offset the search region center from the feature region center in the direction in which the tracked feature is traveling. To move only the attach point, drag the attach point.

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To resize the feature or search region, drag a corner handle. To make all of the sides of the region match the length of the longest side, and to resize the region relative to the original center point of the region, Shift-drag a corner handle.

Note: To restrict the movement of the track point to the x horizontal or y vertical axis during tracking, resize the height or width of the search region to match the height or width of the feature region. For example, you can apply the track to the position of a light bulb and to the effect control point of the Lens Flare effect.

In the Tracker panel, choose the tracked layer from the Motion Source menu. Choose the track that contains the tracking data you want from the Current Track menu. Click Edit Target, and choose the target. In the Tracker panel, click the Apply button. Correct a motion track As an image moves in a shot, the lighting, surrounding objects, and angle of the object can all change, making the once-distinct feature no longer identifiable at the subpixel level. Also, if the search region is too small, the tracked feature may leave its bounds from one frame to the next.

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Learning to choose a trackable feature takes time. Even with careful planning and practice, the feature region can drift away from the desired feature. We hope you enjoy the newsletter and your free Adobe books Click here to see the books now , and start downloading and reading!

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However the education versions are deeply-discounted for students and teachers, and are an even better deal for the suites like CS5. I love and and really appreciate what have read so far, and i will really like to be a wizard in after effects.

To receive future Adobe discounts and coupon savings directly from ProDesignTools. Thanks for subscribing! Free New 3 Hour Class: Tips Tags: Comments 9 Leave a comment.

September 17th, at Any PDF files?Rieger RLG, There are three memberships to choose from: The Indie Film Finance Guide is a step-by-step film finance system you can use immediately to help find investors, make a great pitch and get the money you need to make your movie. This behavior is the default behavior. E-Mail will not be published. This post on the AE Enhancers forum describes and links to an animation preset from Donat van Bellinghen for scaling a set of Corner Pin effect points.

After Effects must be able to clearly identify the tracked feature throughout the duration of the track, despite changes in light, background, and angle. October 12th, at